Share pieces of your music history

Brett Allen

President

With a career spanning over two decades immersed deeply in every facet of the music experience—engineering, producing, songwriting, promoting, and performing—my journey has always gravitated toward the subtle, often overlooked details that breathe life into art. Like the ghostnote in music—essential yet quietly in the background—I found my calling enhancing and celebrating the creative journeys of my friends and collaborators. Reflecting back, it's clear now that I've spent the last 20 years building what would eventually become Ghostnote, even though I didn't always recognize it at the time. I've cherished being part of those intangible moments—the sessions where music magically coalesces into something extraordinary. There's an elusive mojo, impossible to manufacture or fully describe, that emerges when artists come together to create something that truly matters. In 2020, the global disruption deeply affected my musician friends. While digital platforms thrived and some found success, we collectively felt the loss of authentic, real-world connections. Experimenting with emerging technologies like immersive audio and digital collectibles only underscored for me that something crucial was missing—the tactile, tangible artifacts that anchor us to meaningful experiences. Lyric sheets, broken drumsticks, music video props—objects often discarded—are imbued with powerful emotional resonance when tied to these magical moments. This tangible aspect is precisely what keeps mediums like vinyl records timeless and relevant. Ghostnote emerged from this realization, transforming my lifelong dedication into a platform that connects artists with fans in deeply personal ways. By converting personalized, meaningful artifacts—wardrobe pieces, props, handwritten lyrics, artworks, and instruments—into authenticated, collectible treasures, Ghostnote bridges creativity and commerce. Unlike traditional marketplaces driven purely by financial metrics, Ghostnote emphasizes the subjective, sentimental worth of each item. Beyond mere transactions, Ghostnote fosters memorable experiences defined by storytelling, authenticity, and community. Artists and collectors collaboratively determine the value of each item, creating sustainable income streams, preserving artistic legacies, and forging meaningful, enduring connections. Ultimately, Ghostnote represents the culmination of my lifelong pursuit to capture the magic "you had to be there"—those ephemeral yet powerful moments that become lasting, tangible treasures.

Sean Moeller

Artist Relations

I’m probably best known as the founder of Daytrotter — a music platform I started back in 2006 to capture intimate, analog recording sessions with artists from around the world — often in their living rooms, tour vans, or whatever weird and wonderful space we could find. Over a decade, we recorded more than 12,000 sessions, grew to over 20,000 paid monthly subscribers, and earned coverage from The New York Times, Wired, Rolling Stone, Magnet, The Wall Street Journal,and even The Onion. It was built on a simple idea: that raw, spontaneous moments of music are worth preserving. That idea still drives me. Before that, I studied journalism at the University of Iowa, covering music and sports at the Quad-City Times, where I somehow managed to interview David Bowie, hang up on Lou Reed, and chat with Tegan & Sara before anyone knew their names. Since launching Daytrotter, I’ve stayed rooted in the music world — opening venues, booking thousands of shows, and most recently, running my own spot, the [Raccoon Motel](https://www.theraccoonmotel.com/) in Davenport, Iowa. I also recently published my first book, Plain Clothes Hamburglar, with LA-based imprint Rejection Letters. Brett and I go way back — crisscrossing the country, recording living room sessions and stumbling into beautiful, spontaneous chaos. I’ve always been drawn to the stories behind the songs — and the people behind the stories. That’s what excites me most about Ghostnote: it’s a new way to document and share the pieces of the creative journey that usually stay hidden. I’m here to keep that energy alive. To collect the scraps, stories, and sounds that make something unforgettable. Let’s make some magic.

Kim Weller

Product

I help keep us in tune and on tempo - focusing on product, operations, and strategic initiatives. Before this dream job at Ghostnote, I spent over two decades in IT working for large companies on either coast. The short version of that experience: using technology to solve business problems for many organizations, leading large teams, and driving initiatives to make things work better at my own company. I love Ghostnote's intersection of music and tech - which lets me use my experience to build something for musicians and their fans like me. That’s actually how Brett and I bonded over 15 years ago, when I installed gear into his recording studio and he taught me the difference between streaming, CDs, records, and the original reel-to-reel. That connection eventually led me here. I have many humanity-reaffirming stories about last minute procurement of festival passes (including rightfully trusting a person from another country to leave me a camping pass in the gas door of a Honda Odyssey in the giant Coachella parking lot...do you KNOW how many Odyssey's are parked at Coachella?!). Music people are good people. Let's build something beautiful for them!

Jared Tankel

Music Industry Relations

I'm a musician and music attorney who’s spent my life on both sides of the stage. I grew up in Rochester, New York, where my love for music started early. I still remember the sound of Led Zeppelin and Jimi Hendrix spilling out of my older brother’s bedroom — and when it came time to pick an instrument in fourth grade, my uncle (a lifelong musician) handed me my first saxophone from his own collection. That moment set me on a path I’ve never looked back from. I studied saxophone through the Eastman School of Music’s Community Education division, played in jazz bands and wind ensembles throughout high school, and eventually moved to New York City to chase music full-time. It was there — through a few open mics and some lucky introductions — that I found myself in Staten Island co-founding The Budos Band, the “black sheep” of the Daptone Records family. We carved out a unique sound, blending genres with a focus on raw, instrumental energy. I’ve been playing bari sax with the band ever since, recording albums and building a loyal fanbase along the way. But I also wanted to support artists beyond the stage. That drive led me to law school at Fordham, and eventually to passing the New York Bar (while touring, no less) and later the California Bar. Today, I practice as a music attorney at Mark Music and Media Law PC in Beverly Hills, representing artists, writers, producers, and composers. At Ghostnote, I get to bring both sides of my life together — supporting legal strategy, artist relations, and creative thinking that puts musicians first. It’s a platform I believe in, because I’ve lived what it means to be an artist — and I know how much it matters when someone builds something with your voice in mind.

Cory Gray

Artist Relations

I’m a composer, multi-instrumentalist, and longtime collaborator in the Portland music scene — often jumping in on keys or trumpet, and just as often behind the board as a producer or engineer. Over the years, I’ve worked on a bunch of scores for film and TV, with placements across Discovery, MTV, and other networks, and I’ve had the chance to create and shape music with bands Old Unconscious. The Delines, and Graves. At Ghostnote, I’m helping artists fine-tune their profiles, tell stronger stories, and get their items gallery-ready. I know how personal these pieces are — so I’m here to make sure what ends up in someone’s hands feels just as powerful as it did in the studio, on stage, or wherever the creative spark happened. Some of you might know me from my own Ghostnote gallery — I was one of the early adopters. Now I’m excited to help others bring their legacy to life.

Paul Merendino

Customer Experience

I'm a drummer & Ghostnote admin operator. I’ve spent time touring the country behind the kit for Broadway musicals, and when I’m not deep in the Ghostnote admin, you’ll find me playing with bands like The Tobacco River Ramblers, The Matt Brua Band, MAC Band, Brent Jameson, and a bunch of other great folks keeping the local scene alive. At Ghostnote, I manage admin operations — everything from gallery and item approvals to scan verification, customer interactions, and the messaging that guides artists and buyers through the experience. I like systems that work, and I love helping artists get their stories out there cleanly and confidently. To me, Ghostnote is a way for artists to reclaim some of the financial freedom lost in the digital age.

Jake Kelton

Marketing

I’m a singer, songwriter, and producer from Dallas, Texas - and someone who’s passionate about building meaningful creative experiences, both on and off the stage. At Ghostnote, I lead marketing efforts and help shape our strategic direction, while recently diving into product development to make sure what we build truly resonates with artists and fans. As an artist myself, I’ve released two EPs and four singles — and I’m really proud of how far I’ve come creatively. There’s more music on the way, and I’m excited to keep growing that side of my journey. That’s also what makes Ghostnote such a powerful place to be: I get to be part of a team that puts artists first and builds tools that genuinely support their stories, their fans, and their legacy. It’s not just about helping others tell their story — it’s about helping them tell it well.

Linda Grady

Charitable Giving

I focus on the charitable side of Ghostnote, drawing from my background as a retired nonprofit executive with deep experience in art, auctions, and museum operations. I’ve spent years at the intersection of philanthropy, technology, and the arts — most recently as CEO of the Whitefish Community Foundation, where I helped pioneer innovative ways to aggregate and distribute funds across a wide range of organizations. That work included building trusted relationships with top-tier donors and helping them align their giving with impact, all supported by sophisticated software solutions. Now, I’m excited about how Ghostnote can bring that same kind of meaningful connection to artists and communities in need — allowing artists to do what they do best: create. To me, this is more than a platform — it’s a powerful opportunity to blend creativity, generosity, and authenticity in ways that truly matter.

Benedict O'Mahoney

Strategy

I’m Benedict — a tech-focused attorney with a deep background in corporate law, IP, and emerging technologies. Over the years, I’ve worked in-house across a range of high-growth companies, focusing on everything from patent strategy and copyright to contract negotiation, licensing, and authentication. At Ghostnote, I support legal and strategic initiatives behind the scenes — helping us protect what makes this platform unique, navigate new tech developments, and ensure we’re building with integrity. I also work closely on board and investor relations to help guide long-term decisions as we grow. My goal is to make sure the creative work our artists share is not only celebrated, but safeguarded — with the right systems, protections, and foresight in place.

Kim Brandwijk

Architecture

I lead engineering at Ghostnote — working across the full stack, from early infrastructure decisions to the day-to-day details that keep the platform running smoothly. My job is to make sure tech supports creativity, not the other way around. I’ve been hooked on programming since I got my first computer — a Commodore 64 — back in 1987. That early spark turned into a lifelong passion for building systems that are efficient, reliable, and quietly powerful. I’m always looking for ways to level up — whether that’s refining our backend architecture or helping shape how we scale. What drew me to Ghostnote is the chance to apply engineering in service of something deeply human: preserving stories, celebrating legacy, and empowering artists. Every item on the platform carries weight, and my goal is to make sure the experience feels seamless for the people behind (and in front of) those stories.

Brett Allen

President

With a career spanning over two decades immersed deeply in every facet of the music experience—engineering, producing, songwriting, promoting, and performing—my journey has always gravitated toward the subtle, often overlooked details that breathe life into art. Like the ghostnote in music—essential yet quietly in the background—I found my calling enhancing and celebrating the creative journeys of my friends and collaborators. Reflecting back, it's clear now that I've spent the last 20 years building what would eventually become Ghostnote, even though I didn't always recognize it at the time. I've cherished being part of those intangible moments—the sessions where music magically coalesces into something extraordinary. There's an elusive mojo, impossible to manufacture or fully describe, that emerges when artists come together to create something that truly matters. In 2020, the global disruption deeply affected my musician friends. While digital platforms thrived and some found success, we collectively felt the loss of authentic, real-world connections. Experimenting with emerging technologies like immersive audio and digital collectibles only underscored for me that something crucial was missing—the tactile, tangible artifacts that anchor us to meaningful experiences. Lyric sheets, broken drumsticks, music video props—objects often discarded—are imbued with powerful emotional resonance when tied to these magical moments. This tangible aspect is precisely what keeps mediums like vinyl records timeless and relevant. Ghostnote emerged from this realization, transforming my lifelong dedication into a platform that connects artists with fans in deeply personal ways. By converting personalized, meaningful artifacts—wardrobe pieces, props, handwritten lyrics, artworks, and instruments—into authenticated, collectible treasures, Ghostnote bridges creativity and commerce. Unlike traditional marketplaces driven purely by financial metrics, Ghostnote emphasizes the subjective, sentimental worth of each item. Beyond mere transactions, Ghostnote fosters memorable experiences defined by storytelling, authenticity, and community. Artists and collectors collaboratively determine the value of each item, creating sustainable income streams, preserving artistic legacies, and forging meaningful, enduring connections. Ultimately, Ghostnote represents the culmination of my lifelong pursuit to capture the magic "you had to be there"—those ephemeral yet powerful moments that become lasting, tangible treasures.

Sean Moeller

Artist Relations

I’m probably best known as the founder of Daytrotter — a music platform I started back in 2006 to capture intimate, analog recording sessions with artists from around the world — often in their living rooms, tour vans, or whatever weird and wonderful space we could find. Over a decade, we recorded more than 12,000 sessions, grew to over 20,000 paid monthly subscribers, and earned coverage from The New York Times, Wired, Rolling Stone, Magnet, The Wall Street Journal,and even The Onion. It was built on a simple idea: that raw, spontaneous moments of music are worth preserving. That idea still drives me. Before that, I studied journalism at the University of Iowa, covering music and sports at the Quad-City Times, where I somehow managed to interview David Bowie, hang up on Lou Reed, and chat with Tegan & Sara before anyone knew their names. Since launching Daytrotter, I’ve stayed rooted in the music world — opening venues, booking thousands of shows, and most recently, running my own spot, the [Raccoon Motel](https://www.theraccoonmotel.com/) in Davenport, Iowa. I also recently published my first book, Plain Clothes Hamburglar, with LA-based imprint Rejection Letters. Brett and I go way back — crisscrossing the country, recording living room sessions and stumbling into beautiful, spontaneous chaos. I’ve always been drawn to the stories behind the songs — and the people behind the stories. That’s what excites me most about Ghostnote: it’s a new way to document and share the pieces of the creative journey that usually stay hidden. I’m here to keep that energy alive. To collect the scraps, stories, and sounds that make something unforgettable. Let’s make some magic.

Kim Weller

Product

I help keep us in tune and on tempo - focusing on product, operations, and strategic initiatives. Before this dream job at Ghostnote, I spent over two decades in IT working for large companies on either coast. The short version of that experience: using technology to solve business problems for many organizations, leading large teams, and driving initiatives to make things work better at my own company. I love Ghostnote's intersection of music and tech - which lets me use my experience to build something for musicians and their fans like me. That’s actually how Brett and I bonded over 15 years ago, when I installed gear into his recording studio and he taught me the difference between streaming, CDs, records, and the original reel-to-reel. That connection eventually led me here. I have many humanity-reaffirming stories about last minute procurement of festival passes (including rightfully trusting a person from another country to leave me a camping pass in the gas door of a Honda Odyssey in the giant Coachella parking lot...do you KNOW how many Odyssey's are parked at Coachella?!). Music people are good people. Let's build something beautiful for them!

Jared Tankel

Music Industry Relations

I'm a musician and music attorney who’s spent my life on both sides of the stage. I grew up in Rochester, New York, where my love for music started early. I still remember the sound of Led Zeppelin and Jimi Hendrix spilling out of my older brother’s bedroom — and when it came time to pick an instrument in fourth grade, my uncle (a lifelong musician) handed me my first saxophone from his own collection. That moment set me on a path I’ve never looked back from. I studied saxophone through the Eastman School of Music’s Community Education division, played in jazz bands and wind ensembles throughout high school, and eventually moved to New York City to chase music full-time. It was there — through a few open mics and some lucky introductions — that I found myself in Staten Island co-founding The Budos Band, the “black sheep” of the Daptone Records family. We carved out a unique sound, blending genres with a focus on raw, instrumental energy. I’ve been playing bari sax with the band ever since, recording albums and building a loyal fanbase along the way. But I also wanted to support artists beyond the stage. That drive led me to law school at Fordham, and eventually to passing the New York Bar (while touring, no less) and later the California Bar. Today, I practice as a music attorney at Mark Music and Media Law PC in Beverly Hills, representing artists, writers, producers, and composers. At Ghostnote, I get to bring both sides of my life together — supporting legal strategy, artist relations, and creative thinking that puts musicians first. It’s a platform I believe in, because I’ve lived what it means to be an artist — and I know how much it matters when someone builds something with your voice in mind.

Cory Gray

Artist Relations

I’m a composer, multi-instrumentalist, and longtime collaborator in the Portland music scene — often jumping in on keys or trumpet, and just as often behind the board as a producer or engineer. Over the years, I’ve worked on a bunch of scores for film and TV, with placements across Discovery, MTV, and other networks, and I’ve had the chance to create and shape music with bands Old Unconscious. The Delines, and Graves. At Ghostnote, I’m helping artists fine-tune their profiles, tell stronger stories, and get their items gallery-ready. I know how personal these pieces are — so I’m here to make sure what ends up in someone’s hands feels just as powerful as it did in the studio, on stage, or wherever the creative spark happened. Some of you might know me from my own Ghostnote gallery — I was one of the early adopters. Now I’m excited to help others bring their legacy to life.

Paul Merendino

Customer Experience

I'm a drummer & Ghostnote admin operator. I’ve spent time touring the country behind the kit for Broadway musicals, and when I’m not deep in the Ghostnote admin, you’ll find me playing with bands like The Tobacco River Ramblers, The Matt Brua Band, MAC Band, Brent Jameson, and a bunch of other great folks keeping the local scene alive. At Ghostnote, I manage admin operations — everything from gallery and item approvals to scan verification, customer interactions, and the messaging that guides artists and buyers through the experience. I like systems that work, and I love helping artists get their stories out there cleanly and confidently. To me, Ghostnote is a way for artists to reclaim some of the financial freedom lost in the digital age.

Jake Kelton

Marketing

I’m a singer, songwriter, and producer from Dallas, Texas - and someone who’s passionate about building meaningful creative experiences, both on and off the stage. At Ghostnote, I lead marketing efforts and help shape our strategic direction, while recently diving into product development to make sure what we build truly resonates with artists and fans. As an artist myself, I’ve released two EPs and four singles — and I’m really proud of how far I’ve come creatively. There’s more music on the way, and I’m excited to keep growing that side of my journey. That’s also what makes Ghostnote such a powerful place to be: I get to be part of a team that puts artists first and builds tools that genuinely support their stories, their fans, and their legacy. It’s not just about helping others tell their story — it’s about helping them tell it well.

Linda Grady

Charitable Giving

I focus on the charitable side of Ghostnote, drawing from my background as a retired nonprofit executive with deep experience in art, auctions, and museum operations. I’ve spent years at the intersection of philanthropy, technology, and the arts — most recently as CEO of the Whitefish Community Foundation, where I helped pioneer innovative ways to aggregate and distribute funds across a wide range of organizations. That work included building trusted relationships with top-tier donors and helping them align their giving with impact, all supported by sophisticated software solutions. Now, I’m excited about how Ghostnote can bring that same kind of meaningful connection to artists and communities in need — allowing artists to do what they do best: create. To me, this is more than a platform — it’s a powerful opportunity to blend creativity, generosity, and authenticity in ways that truly matter.

Benedict O'Mahoney

Strategy

I’m Benedict — a tech-focused attorney with a deep background in corporate law, IP, and emerging technologies. Over the years, I’ve worked in-house across a range of high-growth companies, focusing on everything from patent strategy and copyright to contract negotiation, licensing, and authentication. At Ghostnote, I support legal and strategic initiatives behind the scenes — helping us protect what makes this platform unique, navigate new tech developments, and ensure we’re building with integrity. I also work closely on board and investor relations to help guide long-term decisions as we grow. My goal is to make sure the creative work our artists share is not only celebrated, but safeguarded — with the right systems, protections, and foresight in place.

Kim Brandwijk

Architecture

I lead engineering at Ghostnote — working across the full stack, from early infrastructure decisions to the day-to-day details that keep the platform running smoothly. My job is to make sure tech supports creativity, not the other way around. I’ve been hooked on programming since I got my first computer — a Commodore 64 — back in 1987. That early spark turned into a lifelong passion for building systems that are efficient, reliable, and quietly powerful. I’m always looking for ways to level up — whether that’s refining our backend architecture or helping shape how we scale. What drew me to Ghostnote is the chance to apply engineering in service of something deeply human: preserving stories, celebrating legacy, and empowering artists. Every item on the platform carries weight, and my goal is to make sure the experience feels seamless for the people behind (and in front of) those stories.